An incarnation of Khaine, god of war of the Aeldari race, pure fire and rage!
Orruks are the hardest most aggressive species on the planes, and the epitome of their species are the brutes.
If you are lucky enough you might hear a happy chant in the forest. Follow it if you want to meet Silvestris.
In the first age, in the first battle, when the shadows first lengthened, one stood. Burned by the embers of Armageddon, his soul blistered by the fires of Hell and tainted beyond ascension, he chose the path of perpetual torment. In his ravenous hatred he found no peace; and with boiling blood he scoured the Umbral Plains seeking vengeance against the dark lords who had wronged him. He wore the crown of the Night Sentinels, and those that tasted the bite of his sword named him… the Doom Slayer.
No one has more style than Alice, that you can bet on.
Even a goblin has to get money these days, what a better job for him than being a traveling mercenary!
Not all wizards are nice these days, some of them have a twisted mind behind their eyes.
If you happen to be out at night near the dark places of the city, you may hear a beautiful voice whispering your name from the darkest alley… think twice about following her…
This was a very special project for me, it has deep personal meaning.
This savage orc roaring over the burning village started as an ambience challenge. No-one defeats Gûlan.
Yo ho, yo ho, a pirate’s life for me!
I always imagined the mighty Uther Pendragon leading his armies in the front line. I think this figure captures the essence of this feeling very well.
Nalani is probably my most important figure from the professional painting point of view. Everything started with her, when I painted the first version. She always gave me a feeling of power and independence.
This miniature is part of my Tau army of Warhammer 40k.
The Battle of Crécy took place on 26th of August 1346 in northern France. This brave Englishman was called by his lord to fight in the name of his King, Edward III.
This bust is based on the amazing work of Gerald Brom. I wanted to represent the monstrous nature of the original art, but with my personal touch.
When I first saw this bust I was not sure what exactly it was, but it made me remember my summers in Seville. It was this feeling of warmth and calmness that I wanted to transmit with this job.